The Great Antiphons: O Emmanuel

Today is the seventh and final Great O Antiphon, O Emmanuel.  As always, this is the antiphon sung just before the Magnificat at Vespers. It is the last, because tomorrow's Vespers, on Christmas Eve, is the First Vespers of Christmas.

O Emmanuel, Rex et legifer noster,

exspectatio Gentium, et Salvator earum:

veni ad salvandum nos, Domine, Deus noster.

O Emmanuel, our king and our lawgiver,

the hope of the nations and their Saviour:

Come and save us, O Lord our God.

Here is the final part of Pärt's Sieben Magnificat Antiphonen.

O Immanuel, unser König und Lehrer,  du Hoffnung und Heiland der Völker:  o komm, eile und schaffe uns Hilfe,  du unser Herr und unser Gott. O Emmanuel, our king and counselor,  Thou hope and saviour of the nations:  O come, make haste to help us,  Thou our Lord and our God, our God.

The Great Antiphons: O Rex Gentium

Today's Great Antiphon is O Rex Gentium.

O Rex Gentium, et desideratus earum,

lapisque angularis, qui facis utraque unum:

veni, et salva hominem,

quem de limo formasti.

O King of the nations, and their desire,

the cornerstone making both one:

Come and save the human race,

which you fashioned from clay.

And here is Arvo Pärt's setting:

O König aller Völker, ihre Erwartung und Sehnsucht, Schlußstein, der den Bau zusammenhält, o komm und errette den Menschen, den du aus Erde gebildet! O king of all nations, their expectation and desire, Keystone, which holds all things together: O come and save mankind, whom thou hast formed from clay!

The Great Antiphons: O Oriens

Today's Great Antiphon is O Oriens.

O Oriens,

splendor lucis aeternae, et sol justitiae:

veni, et illumina sedentes in tenebris, et umbra mortis.

O Morning Star,

splendour of light eternal and sun of righteousness:

Come and enlighten those who dwell in darkness and the shadow of death.

Here is Arvo Pärt's setting:

O Morgenstern, Glanz des unversehrten Lichtes: Der Gerechtigkeit strahlende Sonne: o komm und erleuchte, die da sitzen in Finsternis, und im Schatten des Todes. O morning star, incandescence of pure light,  radiant sun of righteousness;  O come and enlighten those who sit there in darkness  and in the shadow of death.

The Great Antiphons: O Clavis David

Today's Great Antiphon is O Clavis David - O Key of David.

As ever, this is sung at Vespers, just before the Magnificat.

O Clavis David, et sceptrum domus Israel;

qui aperis, et nemo claudit;

claudis, et nemo aperit:

veni, et educ vinctum de domo carceris,

sedentem in tenebris, et umbra mortis.

O Key of David and sceptre of the House of Israel;

you open and no one can shut;

you shut and no one can open:

Come and lead the prisoners from the prison house,

those who dwell in darkness and the shadow of death.

And here, once again, is Arvo Pärt's setting.

O Schlüssel Davids, Zepter des Hauses Israel, du öffnest, und niemand kann schließen, du schließt, und keine Macht vermag zu öffnen: o komm und öffne den Kerker der Finsternis und die Fessel des Todes. O David's key, sceptre of the house of Israel, That which thou openest, none can secure, That which thou securest, no power may open; O come and unlock the prison of darkness and the fetters of death.

The Great O Antiphons: O Sapientia

As part of our Advent ritual, we always sing and pray around our Advent wreath. As well as the increasing number of candles lit on the Advent wreath, we have the gradual arrival of all the family to add to the build up. The prayers include the collect from the Sunday Mass, as well as the invocation of all our patron saints etc, singing consists of the Alma redemptoris mater, and O Come, O Come Emmanuel.

This hymn is of course a metrical adaptation of (five of) the Great Antiphons; the antiphons for Vespers for the week preceding Christmas, sung just before the Magnificat.

The Great Antiphons start today.

I was going to blog about both the Great Antiphons and the hymn, but find that the Wikipedia entries on both cover all that I was going to say, and indeed more than I knew.

The entry on the Great O Antiphons is here; there is only one thing I would argue with, and that is the suggestion that the reverse acrostic, Ero Cras, is a coincidence. There is no place for coincidence in my theology...

The entry on O Come, O Come Emmanuel is here. I was fascinated to read Neale's original version; I had only known the Ancient and Modern version.

Here is the chant version of O Sapientia, the first of the Great Antiphons, sung at Vespers today.

O Sapientia, quae ex ore Altissimi prodiisti,

attingens a fine usque ad finem,

fortiter suaviterque disponens omnia:

veni ad docendum nos viam prudentiae.

O Wisdom, coming forth from the mouth of the Most High,

reaching from one end to the other,

mightily and sweetly ordering all things:

Come and teach us the way of prudence.

Here is Arvo Pärt's setting (in German)

O Weisheit O Weisheit, hervorgegangen aus dem Munde des Höchsten, die Welt umspannst du von einem Ende zu andern, in Kraft und Milde ordnest du alles: O komm und offenbare uns den Weg der Weisheit und der Einsicht, O Weisheit. O Wisdom O Wisdom, proceeding from the mouth of the Most High, Thou encirclest the world from one end to the other, Thou orderest all things with might and mercy: O come to us and reveal the way of wisdom and of understanding O Wisdom.

The Epiphany and Our Lady

Here's a Marian post for today's great Feast!

I have blogged before about chant melodies from the Requiem Mass being similar, or identical, to chant melodies used elsewhere. The Tract is very similar to the Tract for Quinquagesima (see here); the Gradual to the Gradual for the Mass of a Confessor not a Bishop (see here).

This week, as I have started to learn the Mass for the Epiphany, I found the Introit strangely familiar.  For it is indeed another example of such re-use: the Introit for the feast of the Epiphany is practically identical to the Introit for the Mass for feasts of Our Lady throughout the year.

Is this just laziness?  Re-cycling melodies rather than composing new ones?  It may be so, but even if so, I am inclined to suspect Providence at work behind the scenes... Or is it deliberate, as I have wondered before (in the post about the Quinquagesima Tract)?

So in this post I think out loud about why the Epiphany and the Feasts of the BVM through the year share the same music for their Introits.

First, let us establish that it is indeed so (with only one or two notes different).  Compare:

So let's look at the texts, and see if there are thematic similarities.

The Epiphany text is:

Ecce advenit dominator Dominus: et regnum in manu ejus, et potestas et imperium.  (Ps 71) Deus, judicium tuum regi da, et justitiam tuam filio regis.

Behold, the Lord the Ruler is come: and a kingdom is in his hand, and power and dominium. (Ps) Give to the king thy judgement, O God, and to the king's son, thy justice.

The text for Feasts of the BVM is:

Salve sancta parens, enixa puerpera Regem, qui caelum terramque regit in saecula saeculorum. (Ps 44) Eructavit cor meum verbum bonum: dico opera mea Regi.

Hail, Holy Mother! Thou in giving birth to thy Child didst bring forth the King who ruleth the heavens and the earth for ever and ever. (Ps) My heart hath uttered a good word: I speak my works to the king.

I am assuming that Salve sancta parens was set to the music of Ecce advenit and not the other way around; though in fact my hypothesis works either way around*. For immediately one sees why the genius who set these words to that chant might think it appropriate. Anyone familiar with the Mass for the Epiphany will immediately be reminded of it, and the kingly theme of its Introit, every time he sings the opening of Our Lady's Mass on her Feasts: which starts by greeting her as the Mother of the King.

And there's more.  The Epiphany is the feast of the showing forth of Christ: to the Magi, of course; but also by the Holy Spirit resting on Him in the form of a dove at His baptism; and also by the first of His miracles, at the wedding feast at Cana.

And consider that great prayer to Our Lady, the Salve Regina (Hail Holy Queen). Right at the heart of it, the actual petition is: Iesum... nobis... ostende (Show unto us... Jesus). So Our Lady is responsible for the desired, continuing, Epiphany, the showing forth of Our Blessed Lord.

What we have lost by disregarding Sacrosanctum Concilium and largely consigning our heritage to history...

Our Lady, Conceived Immaculate, Pray For Us


--

*UPDATE: On consulting my Graduale Triplex, I find that Ecce advenit does indeed predate Salve sancta parens.

The Great Antiphons: O Emmanuel

Today is the seventh and final Great O Antiphon, O Emmanuel.  As always, this is the antiphon sung just before the Magnificat at Vespers. It is the last, because tomorrow's Vespers, on Christmas Eve, is the First Vespers of Christmas.

O Emmanuel, Rex et legifer noster,

exspectatio Gentium, et Salvator earum:

veni ad salvandum nos, Domine, Deus noster.

O Emmanuel, our king and our lawgiver,

the hope of the nations and their Saviour:

Come and save us, O Lord our God.

Here is the final part of Pärt's Sieben Magnificat Antiphonen.

O Immanuel, unser König und Lehrer,  du Hoffnung und Heiland der Völker:  o komm, eile und schaffe uns Hilfe,  du unser Herr und unser Gott. O Emmanuel, our king and counselor,  Thou hope and saviour of the nations:  O come, make haste to help us,  Thou our Lord and our God, our God.

The Great Antiphons: O Rex Gentium

Today's Great Antiphon is O Rex Gentium.

O Rex Gentium, et desideratus earum,

lapisque angularis, qui facis utraque unum:

veni, et salva hominem,

quem de limo formasti.

O King of the nations, and their desire,

the cornerstone making both one:

Come and save the human race,

which you fashioned from clay.

And here is Arvo Pärt's setting:

O König aller Völker, ihre Erwartung und Sehnsucht, Schlußstein, der den Bau zusammenhält, o komm und errette den Menschen, den du aus Erde gebildet! O king of all nations, their expectation and desire, Keystone, which holds all things together: O come and save mankind, whom thou hast formed from clay!

The Great Antiphons: O Oriens

Today's Great Antiphon is O Oriens.

O Oriens,

splendor lucis aeternae, et sol justitiae:

veni, et illumina sedentes in tenebris, et umbra mortis.

O Morning Star,

splendour of light eternal and sun of righteousness:

Come and enlighten those who dwell in darkness and the shadow of death.

Here is Arvo Pärt's setting:

O Morgenstern, Glanz des unversehrten Lichtes: Der Gerechtigkeit strahlende Sonne: o komm und erleuchte, die da sitzen in Finsternis, und im Schatten des Todes. O morning star, incandescence of pure light,  radiant sun of righteousness;  O come and enlighten those who sit there in darkness  and in the shadow of death.

The Great Antiphons: O Clavis David

Today's Great Antiphon is O Clavis David - O Key of David.

As ever, this is sung at Vespers, just before the Magnificat.

O Clavis David, et sceptrum domus Israel;

qui aperis, et nemo claudit;

claudis, et nemo aperit:

veni, et educ vinctum de domo carceris,

sedentem in tenebris, et umbra mortis.

O Key of David and sceptre of the House of Israel;

you open and no one can shut;

you shut and no one can open:

Come and lead the prisoners from the prison house,

those who dwell in darkness and the shadow of death.

And here, once again, is Arvo Pärt's setting.

O Schlüssel Davids, Zepter des Hauses Israel, du öffnest, und niemand kann schließen, du schließt, und keine Macht vermag zu öffnen: o komm und öffne den Kerker der Finsternis und die Fessel des Todes. O David's key, sceptre of the house of Israel, That which thou openest, none can secure, That which thou securest, no power may open; O come and unlock the prison of darkness and the fetters of death.

My Mother's Carols

It is twenty years since my mother died. Needless to say, I still miss her, and particularly at Christmas. The way we celebrate Christmas (and Advent, too) is very much according to her design.

Here are some verses she wrote as Christmas carols.  The first is sung to the tune of Let all mortal flesh keep silence, but without the repeat of the first line of melody.  That apparently is how it was originally written (a Picardy carol tune) and the hymnologist Erik Routley commissioned my mother to write a lyric that honoured that. (In the book, Routley notes: The association of this tune with a solemn eucharistic hymn in English hymn books should not prejudice its interpretation here: it is a French peasant carol and should be sung simply and more or less in speech rhythm).  

For myself, I find it almost impossible to sing the tune without the repeated first line.

Anyway, here is my mother's lyric: 

God in highest heaven seeing 

All man's bitter grief and shame

Laid aside his power, his majesty, his bliss, 

To the rescue swiftly came.

God the Son, the Word eternal

Made himself a man on earth,

Entering a world that he himself had made

Through the lowly gate of birth.

There the baby lay in a manger

For his mother had no bed

Thirty years went by, and still the Son of God

Had no place to lay his head.

Yet he did not rest till, testing

Every depth of utter loss,

He, the Lord, was hanging, nailed through hands and feet

Stripped and dead upon a cross.

Jesus, Master, King of glory, 

Teach us loving you alone,

With a joyous will to follow you in peace

By the road that you have shown.

--

Here is another of my mother's carols.  This was also written at the request of Erik Routley for the University Carol Book. It is sung to an Irish Carol tune, whose name I don't recall (and I can't remember what other words I have sung to it, though I know that I have. It begins Doh Doh Mi Doh Mi So with syncopation on the mi-so [ie the mi is half a beat] Do any of my learned readers know the name of the tune?)

1. Come, ye thankful people, and welcome Christ to earth

With songs of joy and gladness at this amazing birth.
For now within the manger the new-born Baby lies;
For him the angels' music is ringing through the skies,

They hail with adoration the one eternal Word

That has to earth descended to be by all men heard.
They hail with adoration the one eternal Word
That has to earth descended to be by all men heard.

2. A maiden and a baby, a stable cold and bare,
Yet never was there palace that could with this compare,
For here the Queen of angels her son and God adores
While he his heavenly Father for all mankind implores.

He comes from highest heaven to end our woe and strife,

That we may live for ever with his celestial life.
He comes from highest heaven to end our woe and strife,
That we may live for ever with his celestial life.

3. "Holy, Holy, Holy" the glorious angels cry,
And "Holy, Holy, Holy" let Christians now reply.
Gold and myrrh and incense are gifts from Eastern kings,
But prayer and adoration the poorest of us brings,

As singing with the angels "Nowell, nowell, nowell",

We worship in the manger our Lord, Emmanuel.
As singing with the angels "Nowell, nowell, nowell",
We worship in the manger our Lord, Emmanuel.

UPDATE (2018) A mere year later it occurred to me that including a picture of the tune would be more helpful than trying to describe it...

All of which reminds me... My father met Erik for the first time at breakfast at Magdalen College. Erik was studying theology (he went on to be a United Reformed minister) and was being ragged by some juvenile undergraduates. He was getting heated, and one of his tormentors jibed: 'I thought you Christians were meant to suffer fools gladly.' Erik replied: 'Fools, yes. Congenital bloody idiots, no!' My father instantly recognised him as a soul-mate, and they were firm friends until my father's death in 1978. Erik married my father's sister, Margaret, who was a fine violinist.

All four of them (my father, mother, and Uncle Erik and Aunt Margaret) are now dead; so please say a prayer for them.

Requiescant in pace.

The Great Antiphons: O Radix Jesse

Today's in the series of Great Antiphons is O Radix Jesse.

As usual, here is the chant, as sung at Vespers before the Magnificat:

O Radix Jesse, qui stas in signum populorum,

super quem continebunt reges os suum,

quem Gentes deprecabuntur:

veni ad liberandum nos, jam noli tardare.

O Root of Jesse, standing as a sign among the peoples;

before you kings will shut their mouths,

to you the nations will make their prayer:

Come and deliver us, and delay no longer.

And here is Arvo Pärt's setting:

O Sproß aus Isais Wurzel, gesetzt zum Zeichen für die Völker, vor dir verstummen die Herrscher der Erde, dich flehen an die Völker: o komm und errette uns, erhebe dich, säume nicht länger. O Scion of Isaiah's Line, predestined to be a sign for the nations, the rulers of the earth fall silent before thee, the nations cry unto thee: O come and save us, bestir thyself, delay no longer.

The Great Antiphons: O Adonai

Today's antiphon is O Adonai. Here is the traditional Gregorian Chant version, as sung at Vespers. (For an introduction to the Great Antiphons, see my previous post, here)

O Adonai, et Dux domus Israel,

qui Moysi in igne flammae rubi apparuisti,

et ei in Sina legem dedisti:

veni ad redimendum nos in brachio extento.

O Adonai, and leader of the House of Israel,

who appeared to Moses in the fire of the burning bush

and gave him the law on Sinai:

Come and redeem us with an outstretched arm.

And here is Arvo Pärt's version (in German):

O Adonai, der Herr und Führer des Hauses Israel,

im flammenden Dornbusch bist du dem Mose erschienen 

und hast ihm auf dem Berg das Gesetz gegeben:

O komm und befreie uns mit deinem starken Arm.

Adonai, the Lord and leader of the house of Israel, In the burning bush hast thou appeared unto Moses And given him the law upon the mountain: O come and deliver us with thy powerful arm.

The Great Antiphons: O Sapientia

As part of our Advent ritual, we always sing O Come, O Come Emmanuel around our Advent wreath.

The hymn is of course a metrical adaptation of (five of) the Great Antiphons; the antiphons for Vespers for the week preceding Christmas, sung just before the Magnificat.

The Great Antiphons start today.

I was going to blog about both the Great Antiphons and the hymn, but find that the Wikipedia entries on both cover all that I was going to say, and indeed more than I knew.

The entry on the Great O Antiphons is here; there is only one thing I would argue with, and that is the suggestion that the reverse acrostic, Ero Cras, is a coincidence. There is no place for coincidence in my theology...

The entry on O Come, O Come Emmanuel is here. I was fascinated to read Neale's original version; I had only known the Ancient and Modern version.

Here is the chant version of O Sapientia, the first of the Great Antiphons, sung at Vespers today.

O Sapientia, quae ex ore Altissimi prodiisti,

attingens a fine usque ad finem,

fortiter suaviterque disponens omnia:

veni ad docendum nos viam prudentiae.

O Wisdom, coming forth from the mouth of the Most High,

reaching from one end to the other,

mightily and sweetly ordering all things:

Come and teach us the way of prudence.

Here is Arvo Pärt's setting (in German)

O Weisheit O Weisheit, hervorgegangen aus dem Munde des Höchsten, die Welt umspannst du von einem Ende zu andern, in Kraft und Milde ordnest du alles: O komm und offenbare uns den Weg der Weisheit und der Einsicht, O Weisheit. O Wisdom O Wisdom, proceeding from the mouth of the Most High, Thou encirclest the world from one end to the other, Thou orderest all things with might and mercy: O come to us and reveal the way of wisdom and of understanding O Wisdom.